The first movement, Caught-ya Caccia, uses vibraphone (or marimba) only with the flute. The flute player is asked to play the rain stick and sing at one point...
with CD Accompaniment
The marriage of fascinating electronic sounds and traditional percussion instruments make this piece a sonic treat for the listener....
What would it sound like if Claude Debussy had been able to score for the modern wind band? Andrew Blair’s new orchestration of Debussy’s beloved Clair de Lune...
Dark Filaments begins with an explosion from a single point that spins out two threads, a dark pentatonic melody and a short rhythmic burst, and follows as...
Why should the brass get to play all of the fanfares? Andrew Blair’s new work anti-Fanfare is a thrilling and unique concert opener for wind ensemble, minus...
