The Circus Bee is a circus march composed by Henry Fillmore in February 1908. The march is named after an imaginary circus newspaper and reflects Fillmore's...
Fantastic opener or closer for a concert! Glassock's unmistakable contrapuntal writing and driving rhythmic excitement make this a challenge worth undertaking....
The title, Countin' In The Blues could be taken in two ways: countin' as in counting in the tempo of the blues, or countin' as in Count Basie. Whichever the...
Curled Dimensions by Lynn Glassock is a mammoth eighteen-minute work for percussion ensemble that will challenge the best of players. Glassock's keen use of...
Three-movement work for solo marimba with a small multiple percussion set-up, including 2 congas, 2 bongos, 5 temple blocks, and chimes. The interplay between...
Opens with bombastic statements in the low drums, leading into call and response with the wooden sounds and the tambourines. The marimbas finally overtake the...
for Solo Timpani & Percussion Trio
Elemental Dances is a work for 5 timpani and percussion trio based on several segments of Native American music, mixing...
Although the scoring is rather mallet instrument heavy, this is very much a rhythm-oriented piece. Dialogue between the drums and mallet instruments forces the...
This wonderful piece is based on the poetry of Emily Dickinson. Each song beautifully paints a picture from her words. The 4-mallet marimba writing is very...
Green Eggs and Funk was named by one of my students at Christian College Geelong. I mentioned that it had a funky rock type groove and “Bam” out came the name...
