What would it sound like if Claude Debussy had been able to score for the modern wind band? Andrew Blair’s new orchestration of Debussy’s beloved Clair de Lune...
After an ominous opening, The Falcon Ascending takes flight with a blazing syncopated theme that alternates between 3/4 and 2/4. A brief, lush chorale section...
Why should the brass get to play all of the fanfares? Andrew Blair’s new work anti-Fanfare is a thrilling and unique concert opener for wind ensemble, minus...
