What would it sound like if Claude Debussy had been able to score for the modern wind band? Andrew Blair’s new orchestration of Debussy’s beloved Clair de Lune...
Beginning with an extended violin solo that is full of the double stops that are typical of American fiddle music, both instruments spur each other on to a...
Originally composed in 1910 for violin and piano, Tambourin Chinois has become a very popular showpiece in the repertoire. Edward Bach has reimagined it here...
Variations for Vibraphone and Piano consists of a two part theme in a jazz idiom and three free variations. The rhythmically complex nature of the writing...
Why should the brass get to play all of the fanfares? Andrew Blair’s new work anti-Fanfare is a thrilling and unique concert opener for wind ensemble, minus...
