A great show starter or to lift the vibe after a ballad, All the Goss is a spirited, fun chart with elements of gospel, rock and jazz. A strong, positive...
Starting as an intense ballad featuring an alto saxophone solo, morphing into medium swing with muted brass and then amping up to a heavy shuffle for a big...
Cerulean Blue for solo vibraphone begins and ends with a simple melody, while the B section is driven by 4-1-3-2 and outside-inside permutations, accenting the...
Charlie is the coolest dude. He likes to eat the Corgi’s food. He’s always into this and that. Charlie, He’s the cat. Dedicated to Charlie, one of our four...
A cover drive is a particularly elegant cricket shot. A good one will pierce the field and run away for four runs. Cover Drive is a combination of the 12/8...
Cymplified rocks as many cymbal sounds and textures as you have in your arsenal. Ranging from finger cymbals to hand crashes, all of these instruments converge...
Reminiscent of Dave Brubeck's "Take Five," Five and Three is all about the groove. An opening melody, first heard in the trombones and soon passed to trumpets...
Rooted in a fairly standard percussion ensemble setup, The Forgotten pulls some less-common instrumentation and colors from the depths of the percussion...
Featuring your under-exposed baritone saxophone player, Groanin’ owes a lot to Bobby Timmons’ Moanin’ in it’s call and response melody. Its energy is higher...
How funky can you get? It’s easy to get excited about the title of this tune and try too hard to be funky. It’s like trying too hard to be cool. It’s just...
