The four selections (Humming Tune, Soldier’s March, Choral, and A Little Piece) are perfect for playing for general audiences unfamiliar with the instrument...
April is a flowing work of gentle harmony and musical imagery. Subtle mallet parts with an easy piano part add to the atmosphere of this almost dreamlike work...
What would it sound like if Claude Debussy had been able to score for the modern wind band? Andrew Blair’s new orchestration of Debussy’s beloved Clair de Lune...
After a brief slow introduction, Fever Flash takes off, driven by punchy brass, syncopated percussion and long lines in the woodwinds. As the piece builds...
The title, Inner Sanctum, was derived from feeling the commissioning ensembles feels about their bandroom: a safe, sacred place free of all of the distractions...
The inspiration for Shimmer was light in motion. Brilliant flourishes are contrasted by two introspective sections of music, giving the overall composition a...
Why should the brass get to play all of the fanfares? Andrew Blair’s new work anti-Fanfare is a thrilling and unique concert opener for wind ensemble, minus...
