The three selections in this transcription adapt extremely well to the marimba and, in turn, showcase many of the virtuosic four-mallet techniques found in...
Commissioned by Laura Lynch and Jason Kihle from the University of Jamestown (Fargo, ND), Allez! was written to be a dynamic opener or closer for a program...
Commissioned by Laura Lynch (horn) and Jason Kihle (vibraphone) from the University of Jamestown (Fargo, ND), Allez! was written to be a dynamic opener or...
Infused with the sounds of Bernstein, Gershwin, and a brief nod to Dizzy Gillespie, Bounce features the trumpet as both a classical and a jazz instrument,...
Marimba Feature
An intriguing, engaging, and challenging piece. Gillingham's Concerto No. 2 for Marimba is a must-try for all marimbists! The breakneck first...
Style: Percussion
Arranger / Composer: Gillingham, David R.; Daughtrey, Nathan
Commissioned by Dr. Lisa Rogers of Texas Tech University, the two-movement Concerto for Vibraphone was inspired by two opposing poems by Pablo Neruda - one...
An Andalusian Fantasy
The Cry emulates the passionate melismatic singing and sparse guitar playing found in cante jondo ("deep song") and flamenco music. The...
One of Liszt's most famous solo piano works, Hungarian Rhapsody No. 2 remains one of the most virtuosic in the repertoire as well. Daughtrey and Lasley have...
Style: Percussion
Arranger / Composer: Daughtrey, Nathan; Lasley, M.; Liszt
Originally commissioned as a percussion ensemble piece to honor composer & percussionist Lynn Glassock, Legacies is a rousing work of great depth and...
The subdued and quiet opening of Limerick Daydreams will give the listener little indication of what's to follow. After the quiet opening, the character of the...
