What would it sound like if Claude Debussy had been able to score for the modern wind band? Andrew Blair’s new orchestration of Debussy’s beloved Clair de Lune...
Fascinating composition with constantly shifting roles among the three players. Dynamics are indicated by the size of notehead as opposed to traditional...
Why should the brass get to play all of the fanfares? Andrew Blair’s new work anti-Fanfare is a thrilling and unique concert opener for wind ensemble, minus...
